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• Theatrical Evolution Through The Great War

  Ty Hudson

  01-05

  2020-01-21

• Theatre Directing and the Use of Multimedia in Nigerian Theatre: A Study of Segun Adefila’s Production of “Omo Dumping”

  Tekena Gasper Mark, Emmanuel Calvin Emasealu

  01-16

  2018-06-03

• National Theatre of China's Romeo and Juliet and Its Rituals

  Benny Lim

  87-91

  2014-04-02

• RECONSIDERING ‘DOUBLING’: THE CASE OF GLOBE ON TOUR’S COMEDY OF ERRORS (2009-2011)

  Kumiko Hilberdink-Sakamoto

  105-115

• Teaching Scenography in Greece (1958-1976); a research

  Dimitra Giovani, PANAYIOTA KONSTANTINAKOU, EVANGELIA KARAKOSTA, IOULIA PIPINIA

  30-45

  2021-12-01

• Connection Between Ethics and Poetics in Aristoteles

  Ismet Tekerek

  105-120

• Breaking Language Barrier in Rural Awareness Campaign on School Enrolment through Drama among Nomads in Taraba State

  Boh Aondowase

  36-45

  2013-10-05

• A Community Education Curriculum Using Improvisational Theatre Techniques for Informal Dementia Caregivers

  Britteny Howell, Erik Dahl, PE, Arianna Piech, Ann Farris, CDP

  51-62

  2022-10-27

• PERFORMANCE PRACTICE IN AFROBEAT MUSIC OF FELA ANIKULAPO KUTI

  Albert Oikelome

  82-94

  2013-08-31

• La La particularité de l’absurde théâtral dans Fin de Partie de S. Beckett

  Mohammad Nahar Al Zoubi

  36-42

  2022-04-15