Only Human: Critical Reflections on Dance, Creation, and Identity

Authors

  • Indrani Margolin University of Northern British Columbia
  • Dominique Riviere University of Toronto

DOI:

https://doi.org/10.18533/journal.v4i10.805

Keywords:

Multiculturalism, dance education, dance community, social identity, inequity.

Abstract

In this article, we consider the relationship between artistic creation and the negotiation of social identity in multicultural contexts.  Our discussion is largely grounded in the scholarship on critical multiculturalism, socio-cultural theories of artistic production, and on dance identity and education.  Through an arts-based, narrative analysis of our re-viewing of select performance DVDs from the amateur dance collective of which we were both members, we take the position that dance in multicultural contexts can create important opportunities for a critical reflection on how an artistic identity (i.e. “dancer”) and a form of cultural production (i.e. “dance performance”) - can both challenge and reinforce normative understandings about social identity (i.e. “gender”, “race”, “class”, etc.).  We discuss the implications of this contradiction for dance creation, performance and education through the analytical themes of “Training, Technique and Choreography”; “Social Organization and Hierarchy”; and “Diversity and Inclusion”.  

Author Biographies

  • Indrani Margolin, University of Northern British Columbia
    School of Social Work, Associate Professor
  • Dominique Riviere, University of Toronto
    Instructor

References

Albright, A. C. (1997). Techno Bodies: Muscling with Gender in Contemporary Dance. In Choreographing Difference: The Body and Identity in Contemporary Dance (pp. 28-55). New Hampshire: University Press of New England, Hanover.

Banks, J. A., & Banks, C. A. M. (Eds.). (2004). Handbook of research on multicultural education (2nd ed.). San Francisco, CA: Jossey Bass.

Bordo, S. (1993). Unbearable Weight: Feminism, Western Culture and the Body. London: University of California Press.

Boyle-Baise, M. (1999). Meanings of culture in multicultural education: A response to anthropological critiques. Journal of Educational Thought, 33(1), 9-29.

Braun, V., & Clark, V. (2006). Using thematic analysis in psychology. Qualitative Research in Psychology, 3, 77–101.

Chase, S.E. (2005). Narrative inquiry: Multiple lenses, approaches, voices. In N.K. Denzin & Y.S. Lincoln (Eds.), The Sage handbook of qualitative research (3rd ed., pp. 651–679). Thousand Oaks, CA: Sage.

Desmond, J. C. (Ed., 1997). Meaning in Motion: New Cultural Studies of Dance. Durham and London: Duke University Press.

Estrella, K., & Forinash, M. (2007). Narrative inquiry and arts-based inquiry: Multinarrative perspectives. Journal of Human Psychology, 47(3), p. 376-383.doi: 10.1177/0022167807301898

Fish, S. (1997). Boutique multiculturalism, or why liberals are incapable of thinking about hate speech. Critical Inquiry, 23(2), 378 - 396.

Fleras, A., & Elliot, J. L. (2003). Unequal relations: An introduction to race and ethnic dynamics in Canada (Fourth ed.). Toronto, ON: Prentice Hall.

Fleras, A. (2002). Multiculturalism as Critical Discourse: Contesting Modernity. Canadian Issues, February, 9 – 11.

Gillborn, D., & Ladson-Billings, G. (Eds.). (2004). The RoutledgeFalmer reader in multicultural education. London, UK; New York, NY: RoutledgeFalmer.

Greene, M. (1995). Releasing the Imagination: Essays on Education, the Arts, and Social Change. San Francisco: Jossey-Bass Publishers.

Headley, C. (2012). Deconstructing dance. In C. C. Smith (Ed.), Pluralism in the arts in Canada: A change is gonna come (pp. 59-61). Ottawa, Ontario: Canadian Centre for Policy Alternatives.

Henry, F. & Tator, C. (1999). State Policy and Practices as Racialized Discourse: Multiculturalism, The Charter, and Employment Equity. In P.S. Li (Ed.), Race and ethnic relations in Canada (pp. 88 – 115). Toronto, Ontario: Oxford University Press.

Leavy, P. (2009). Method meets art: Arts-based research practice. New York, NY: The Guildford Press.

Li, P. S. (1999). The Multiculturalism Debate. In Li, P. S. (Ed.), Race and Ethnic Relations in Canada (pp. 148 – 177). Toronto, Ontario: Oxford University Press.

Margolin, I. (2013). Expanding empathy through dance. In B. White, & T. Costantino (Eds.), Aesthetics, empathy and education. New York, NY: Peter Lang.

Martin, R. (1998). Critical moves: Dance studies in theory and politics. London, UK: Duke University Press.

McDonough, K. (2011). Multiculturalisms in Tension. Canadian Issues, Spring, 91 – 96.

McRobbie, A. (1997). Dance Narratives and Fantasies of Achievement. In J. C. Desmond (Ed.), Meaning in Motion: New Cultural Studies of Dance (pp. 207-231). Durham and London: Duke University Press.

Patton, M. (2002). Qualitative research & Evaluations Methods (3rd ed.). Thousand Oaks, CA: Sage Publications, Inc.

Riviere, D. (2008). Whiteness and/in education. Race, Ethnicity & Education, 11(4), 355 – 368.

Rivière, D. (2011). “Scratching Our ‘Great National Itch’: Narratives of Multiculturalism in 21st-century Canada.” Presented at the Association for Canadian Studies and the Canadian Ethnic Studies Association 2nd Annual Conference: Multiculturalism Turns 40 - Reflections on the Canadian Policy. Ottawa Mariott Hotel, September 30 - October 1; Ottawa, Ontario.

Sheets-Johnstone, M. (2011). The Primacy of Movement: Expanded Second Edition. Philadelphia, MA: John Benjamins Publishing Company.

Snowber, C. (2012). Dance as a Way of Knowing. Bodies of Knowledge: Embodied Learning in Adult Education, 134, 53-60.

Steinberg, S. R., & Kincheloe, J. (2001). Setting the context for critical multi/interculturalism: The power blocs of class elitism, white supremacy, and patriarchy. In S. R. Steinberg (Ed.), Multi/Intercultural conversations: A reader (pp. 3 - 30). New York, NY: Peter Lang Publishing, Inc.

Downloads

Published

2015-10-28

Issue

Section

Article

Similar Articles

1-10 of 473

You may also start an advanced similarity search for this article.