Design Trends in Gold Jewellery Making in Ghana and Global Cultural Influence.

Authors

  • Peggy Ama Fening Kwame Nkrumah University of Science and Technology

DOI:

https://doi.org/10.18533/journal.v4i4.687

Keywords:

Culture, design trends, Ghana, globalization, jewellery.

Abstract

Although Ghana is the second largest producer of gold in Africa, its jewellery industry accounts for very little percentage of the world production total. This observation is partly attributed to the extent to which the Ghanaian jewellery products have been influenced by global culture. The objective of this paper was therefore to investigate the influence of global culture on gold jewellery designs. Data used in this study were collected mainly through direct observations at goldsmiths’ workshops and showrooms, jewellery retail shops, during festivals and durbars, and visits to chiefs and traditional rulers’ homes. Close and open ended questionnaires and personal interviews were also used to solicit information from 400 respondents comprising; jewellers/Goldsmith, Chiefs and traditional rulers, jewellery traders and the general public. The study showed that a new trend of jewellery design has evolved. There are new innovations in the production of old aphorisms and symbols that has been influenced by global culture. This is reflected in the usage of brand names and their logos as well as the initials of customers’ names in making jewellery. The craftsmen were of the view that technological advancement and the use of modern equipment, as well as global fashion have contributed immensely to this observation. On the other hand the chiefs and traditional rulers were of the view that the impact of globalisation if not checked will lead to the erosion of the rich cultural designs of the Ghanaian people.

Author Biography

  • Peggy Ama Fening, Kwame Nkrumah University of Science and Technology
    Department of Industrial Arts, Lecturer

References

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Published

2015-04-23

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